![]() Then there is the LinMB - As stated earlier, the MAIN difference is that it is "phase-coherent" - which means that alot of development time was spent minimizing the "phase-distortion" artifacts between the overlapping frequency bands during compression. This doesn't necessarily mean better, just updated and more sonically transparent. Under the hood though, we have dsp algorithms that are based on 2011 technology instead of 2001. Of course the most basic thing is that it has 6 frequency bands instead of 4. The C6 is basically an updated by at least ten years version of the very popular C4. Thanks for helping me understand this better! Not having C4 to A/B test with the multiband compressors I own means I have to ask the wisdom of the folks here. Since I don't use Waves plugins, I'm trying to translate what Steve said about C4 to multiband compressors in general and that will only work if C4 is truly just a multiband compressor. ![]() After reading it cover-to-cover and looking at the included DVD examples, I'm still a bit confused about C4, which Steve calls his "Secret Weapon." The way he described it, it almost sounded like C4 was more than just a compressor and had some special properties which I didn't truly understand. I just finished reading the book "Desktop Mastering" by Steve Turnidge. I'm not a mixing or mastering engineer, but I self-produce and I'm trying to be as educated as possible about all aspects of the music production process. ![]() Short version of the question: Are Waves' C4 and C6 plugins pretty much like every other multiband compressor plugin? Or do they have special behaviors that are unique? did a search and didn't find what I was looking for.) (Apologies if this has already been answered. ![]()
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